2000
DOI: 10.1016/s0065-3454(08)60107-2
|View full text |Cite
|
Sign up to set email alerts
|

Vocal Interactions in Birds: The Use of Song as a Model in Communication

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
3
1

Citation Types

2
201
1

Year Published

2001
2001
2018
2018

Publication Types

Select...
8

Relationship

1
7

Authors

Journals

citations
Cited by 236 publications
(208 citation statements)
references
References 135 publications
2
201
1
Order By: Relevance
“…Similar roles for the pattern of song use during interactions have been shown in European robins (Erithacus rubecula; Dabelsteen et al 1997) and nightingales (Hultsch & Todt 1982;Naguib et al 1999). Great tits of both sexes are able to recognize individual singers based on vocal characteristics (McGregor & Avery 1986;Weary & Krebs 1992;Lind et al 1996); thus, we expect subjects to be able to associate the roles of the interactants with the identities of the singers.…”
Section: Introductionmentioning
confidence: 66%
“…Similar roles for the pattern of song use during interactions have been shown in European robins (Erithacus rubecula; Dabelsteen et al 1997) and nightingales (Hultsch & Todt 1982;Naguib et al 1999). Great tits of both sexes are able to recognize individual singers based on vocal characteristics (McGregor & Avery 1986;Weary & Krebs 1992;Lind et al 1996); thus, we expect subjects to be able to associate the roles of the interactants with the identities of the singers.…”
Section: Introductionmentioning
confidence: 66%
“…Some species use timing of singing and patterns of song type switching relative to their opponent as a signal (for a good review of timing-based signals, see Todt & Naguib, 2000). Black-capped chickadees can vary the pitch of their fee-bee songs and use this ability in conjunction with overlapping to signal dominance (Otter et al, 2002 …”
mentioning
confidence: 99%
“…It is becoming apparent that the challenge males provide to each other is not just in what they sing, how much and how loudly, but in the way in which songs relate in time to each other, alternating or overlapping (e.g. Todt & Naguib 2000).…”
Section: Song and Interactionsmentioning
confidence: 99%