Palgrave Advances in Irish History 2009
DOI: 10.1057/9780230238992_10
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Visualising Irish History

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“…Indeed, she not only followed the visual framing of artists before her, but she also followed them to the same locations: for example walking in the footsteps of William McEvoy, who painted Glengariffe from the Kenmare Road, Evening in 1862. 62 Alongside her landscape photography, Stokes also photographed people and social customs while travelling in the west. Carville has noted that, during the nineteenth century, 'peasant types such as the "Irish Fisherman", the "Spinning Woman" and the "Colleen" were as much a tourist attraction for photographers as the picturesque landscape'.…”
Section: Landscape Ethnography and Tourismmentioning
confidence: 99%
“…Indeed, she not only followed the visual framing of artists before her, but she also followed them to the same locations: for example walking in the footsteps of William McEvoy, who painted Glengariffe from the Kenmare Road, Evening in 1862. 62 Alongside her landscape photography, Stokes also photographed people and social customs while travelling in the west. Carville has noted that, during the nineteenth century, 'peasant types such as the "Irish Fisherman", the "Spinning Woman" and the "Colleen" were as much a tourist attraction for photographers as the picturesque landscape'.…”
Section: Landscape Ethnography and Tourismmentioning
confidence: 99%