Visions of the End in Medieval Spain

Williams, John R.

doi:10.1515/9789048530014

Cited by 4 publications

(3 citation statements)

References 7 publications

(7 reference statements)

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“…Der neue und noch junge Präparator Kurt Küng, der Georg Ruprecht ablöste, präparierte als eines seiner ersten Tiere 1955 diesen Weißrückengeier, Gyps africanus, den er im Jahre 1955 im Diorama platzierte. 55 55 Vgl. Max-Peter Kleefeld, 2015, Diorama Nr.…”

Section: Geierunclassified

“…While in the case of Shuggie Otis there is some ambiguity about the usage of drum machines, due to the mixture of drum machines and natural drum sounds that are often similar, the disco hit Rock Your Baby (George Mc Crae, 1974) is perfect for the experience of close listening: The song starts with a bossa nova preset groove from a Roland TR-77 drum machine, 49 with its characteris-ble matrix 53 to enhance the liberation of groove in the programmable drum machines of the 1980s, and the subsequent procedure of correction and manipulation through quantization 54 in digital software. Another major topic is the question of micro-timing 55 and, in this context, the efforts to edit and manipulate technology-based time by adding a humanized feel. 56 The narrative of drum machines also raises diverse questions about cultural practices, esthetics, and the general and underlying discourse of mankind and machines.…”

Section: Preset-based Patterns In Studio Production Of Popular Music ...mentioning

confidence: 99%

“…Die zweite Gruppe drängt sich links auf die Mauer neben der Inschrift und die dritte Gruppe versucht, von der meterhohen Mauer rechts auf den Absatz des Minarett-Sockels zu klettern. Ref lexion: Die Anglistin Katharina Pink führt in ihrer Textanalyse über Bells Reisebuch The Desert and the Sown Textpassagen auf, in denen Bell beschreibt, wie die lokale Bevölkerung sie beobachtet, anstarrt und aus Neugierde bedrängt 55. In Pinks Auslegung fühlt sich Bell in solchen Situationen belästigt oder bedroht, weil das Starren und die Aufsässigkeit der Bevölkerung sie zum »Schauobjekt« zu degradieren vermag 56.…”

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Studies in the Arts II - Künste, Design und Wissenschaft im Austausch

2023

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Das Nachbauen mittelalterlicher Instrumente dank Bildquellen und musiktheoretischer Traktate oder das »Einpflanzen« von Alltagsgegenständen in Landschaften, um so das Begriffspaar Natur-Kultur neu zu verhandeln - diese Beispiele zeigen, wie Kunst als Mittel zur Erkenntnisgewinnung die Wissenschaft bereichert. Die Beiträger*innen experimentieren mit der Verbindung von Kunst und Wissenschaft und richten besonderes Augenmerk auf die noch junge Disziplin der Designforschung sowie deren gesellschaftliches Engagement. Dabei illustrieren sie nicht nur die Bandbreite der Forschung in und mit den Künsten, sondern stellen auch Verbindungen zur Grundlagen-, anwendungsorientierten und aktivistischen Forschung her.

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Section: Preset-based Patterns In Studio Production Of Popular Music ...mentioning

confidence: 99%

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Studies in the Arts II - Künste, Design und Wissenschaft im Austausch

2023

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Beatus manuscripts under the microscope: the Alcobaça Beatus and the Iberian Cistercian tradition revisited

Cavero

Melo

Miranda

et al. 2016

Journal of Medieval Iberian Studies

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The Alcobaça Beatus (Lisbon, National Library, Alc. 247) is one of the few extant unillustrated copies of the eighth-century Commentary on the Apocalypse attributed to the Iberian monk Beatus of Liébana. It has traditionally been considered that this Beatus was produced at the Cistercian Portuguese abbey of Santa Maria de Alcobaça and that its model was the Lorvão Beatus (Lisbon, Arquivo Nacional da Torre do Tombo, Ordem de Cister, Mosteiro de Santa Maria de Lorvão, Liv. 44). This article provides the first indepth examination of the Alcobaça Beatus, carried out by a multidisciplinary team using combined methods from the natural and human sciences. The technical data provided by the analysis of the decoration, molecular palette and bookbinding support the theory of its production at the scriptorium of the Portuguese monastery of Alcobaça, whereas the analysis of the textual structure and content reveals that the Alcobaça Beatus and the Lorvão Beatus show a different sequence of texts and that the Alcobaça copy contains later notes that evidence its use in the monastic reading practice, especially the liturgical readings of the Divine Office. This set of results turns this manuscript, which had received minimal scholarly attention to date, into a significant case study since it reveals itself as the basis to further investigate the corpus of extant Beatus copies and question the importance of such a work within the Cistercian order, thus provoking new questions within the debate on Cistercians and their identity around the year 1200.

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Looking ahead: new approaches to medieval Iberian heritage

Cavero

2016

Journal of Medieval Iberian Studies

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Visions of the End in Medieval Spain

Cited by 4 publications

References 7 publications

Studies in the Arts II - Künste, Design und Wissenschaft im Austausch

Studies in the Arts II - Künste, Design und Wissenschaft im Austausch

Beatus manuscripts under the microscope: the Alcobaça Beatus and the Iberian Cistercian tradition revisited

Looking ahead: new approaches to medieval Iberian heritage

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