Abstract:This essay explores the representation of blindness and its metaphorical dimension in scholar painting of Qing China (1644-1911), a period marked by a major increase of these images. Focusing on a 1757 Zhu Yan’s handscroll titled Groups of Blind People, where one hundred blind characters are engaged in comic or incongruous situations such as appreciating antiquities, fighting or grabbing a giant copper coin, it examines the use of humor and visual satire to express moral criticism, with emphasis on identifying… Show more
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