Abstract:This chapter employs a phenomenological framework to argue that virtuosity—often understood as individual musical excellence—is an intersubjective phenomenon that centers on skill made apparent and socially meaningful. Rather than locating virtuosity solely in a performer’s body, a piece’s demands, or a listener’s opinions, the author argues that it arises within the dynamic relationships—what Maurice Merleau-Ponty would call the “intentional threads”—that connect audiences, performers, and musical sound. Draw… Show more
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