Virtual reflecting walls for improving the acoustics of defective halls

Abstract

Many performing art centers and multipurpose halls with poor acoustics cannot be improved for economical reasons by architectural correction works or by mechanical moving devices. The principle of virtual acoustic wall [Guicking et al., J. Acoust. Soc. Am. 78 (1985)] has been successfully applied to control the reflectivity and diffusivity of concert halls existing walls. Several independent active cells composed of a microphone, an electronic unit, and a loudspeaker form a virtual wall. By appropriately controlling the open loop gain in the cells of each virtual wall it is possible to create different sound fields fully coherent in space and time with the preexisting one. The first reflections can thus be reinforced and a natural reverberation enhancement effect is obtained by the acoustic exchange between the virtual walls. Computer sound simulation of three virtual walls in a concert hall was performed and experimental results, both objective and subjective, are shown for two concert halls in which a virtual wall system was installed.

Variable Room Acoustics System Philosophy and Application

“…A number of electronic systems have been developed over the last 40 years [11][12][13][14][15][16][17][18][19][20][21][22]. These systems may be broadly classified into two groups.…”

“…Systems in which the microphones are placed throughout the room to detect the reverberant sound are able to alter such global properties of the room acoustics as loudness, reverberation time, and envelopment. These are termed non-in-line systems because they use the regeneration that occurs between the loudspeakers and microphones in a controlled manner [19][20][21]. The microphones in a non-in-line system are not placed to detect high levels of direct sound.…”