Virtual Cinematic Heritage for the Lost Singaporean Film Pontianak (1957)

Seide, Benjamin; Slater, Benjamin

doi:10.1007/978-3-030-50267-6_30

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2021

2022

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Cited by 3 publications

(1 citation statement)

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“…In our previously published findings, we outlined steps and processes involved in creating the Virtual Cinematic Heritage Application of the Pontianak snake bite scene as a Virtual Reality experience (Seide, Slater 2020). Since these earlier tests, our project went through several iterations of capturing performances with actors and gained new knowledge.…”

Section: Introductionmentioning

confidence: 99%

Performance Capture for Virtual Heritage: Virtual re-enactment for the lost film Pontianak

Seide

Slater

2021

Electronic Workshops in Computing

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Section: Introductionmentioning

confidence: 99%

Performance Capture for Virtual Heritage: Virtual re-enactment for the lost film Pontianak

Seide

Slater

2021

Electronic Workshops in Computing

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The Lost Film Pontianak (1957) as a Case Study to Evaluate Different Strategies of Performance Capture for Virtual Heritage

Seide

Slater

2022

Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering

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Cinematic Storytelling with Virtual Reality for Cultural Heritage Marketing and Accessibility

Marasco

Nicolais

Acampa³

et al. 2022

Global Perspectives on Strategic Storytelling in Destination Marketing

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This chapter addresses the potential of virtual reality (VR) as a storytelling medium for experiential marketing and the accessibility of cultural heritage sites through a case study of a cinematic VR storytelling aimed to enhance the visitor experience at the Archeological Park of Cuma (Italy). The immersive storytelling was used both as a persuasive tool in the pre-visit stage and as a core element of the on-site visit experience for improved accessibility. The VR storytelling was created through a user-centred design process involving users and in collaboration with heritage curators. The case study illustrates how the cinematic immersive narrative is used to engage viewers, developing a connection between two VR experiences that experiment different narratives in relation to their functions in the visitor experience. Theoretical, methodological, and managerial implications are discussed for the design of visitor-centric experiences and the development of experiential marketing strategies.

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Virtual Cinematic Heritage for the Lost Singaporean Film Pontianak (1957)

Cited by 3 publications

References 2 publications

Performance Capture for Virtual Heritage: Virtual re-enactment for the lost film Pontianak

Performance Capture for Virtual Heritage: Virtual re-enactment for the lost film Pontianak

The Lost Film Pontianak (1957) as a Case Study to Evaluate Different Strategies of Performance Capture for Virtual Heritage

Cinematic Storytelling with Virtual Reality for Cultural Heritage Marketing and Accessibility

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