Abstract:This book concerns the rhetoric of visual manipulation that provokes readers to envision what is written on the page, treating visual details in ancient epic not as mere scene-setting information or enhancements to any given story, but as cues for performing specific imaginative processes. Through a series of close readings centered primarily on Virgil’s Aeneid, the book aims to show that the experiential effects that Virgil puts into play do serious narrative work of their own by structuring lines of sight, b… Show more
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