2015
DOI: 10.17349/jmc115303
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Violence Dressed in Humor: Comedic Violence in Advertising

Abstract: This paper investigates the concepts of humor and violence and their complex relationships contextualized in the advertising domain. Thus, the main theories of humor and the most important elements from media violence paradigms are critically pointed out. The effects of comedic violence in advertising may be positive (great involvement with the ad message, retention of brand information, higher pass-along probability), and also negative (offending the audience, desensitization, damaging the reputation and the … Show more

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Cited by 8 publications
(5 citation statements)
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“…Similarly, PH reduces the negative effect of PO on SI. These findings are consistent with Gradinaru (2015) and F€ orster and Brantner (2016) who identified PH as having a masking effect on the offence caused by violent humor. The present research confirms these findings and further identifies that PH has a similar influence on PO in the case of sexual humor.…”
Section: Discussionsupporting
confidence: 90%
See 1 more Smart Citation
“…Similarly, PH reduces the negative effect of PO on SI. These findings are consistent with Gradinaru (2015) and F€ orster and Brantner (2016) who identified PH as having a masking effect on the offence caused by violent humor. The present research confirms these findings and further identifies that PH has a similar influence on PO in the case of sexual humor.…”
Section: Discussionsupporting
confidence: 90%
“…This is consistent with BVT, PH being the resulting positive emotional response when a norm violation is considered benign (McGraw and Warren, 2010). However, the relationship between offensive content and PH is nuanced, in that humor can 'mask' offensive themes (Gradinaru, 2015;Förster and Brantner, 2016). Regarding advertising effectiveness, we assume PH mitigates the negative impact of offensive content in a similar manner regardless of gender, so that: H3: Perceived humor mediates the negative effect of perceived offence on attitude towards the advertisement (H3a), attitude towards the brand (H3b), purchase intentions (H3c), and sharing intentions (H3d).…”
Section: Perceived Humor and Offencesupporting
confidence: 81%
“…It appears sexist humor is complemented by discriminative innuendos that seem to communicate that what is happening/going to happen should not be taken seriously but as a joke. Therefore, the ways in which individuals react and respond to any utterance in the absence of these cues is rendered inappropriate and must be withheld (Gradinaru, 2015). Humor is therefore taken as a form of perceptive play and people are encouraged to not look too deeply into the context of the jokes.…”
Section: Literature Reviewmentioning
confidence: 99%
“…the images, words and execution of the advertisement (Farell, 2012). Within this classification, previous studies concentrate on one or more offensive message themes and then in turn research the reasons behind the offence, the attitudes of different consumers towards those messages, and the effect of those messages on their behaviors and emotions – which may in addition cause controversy (Waller, 2015; Yoon, 2016; Okubanjo, 2015; Gradinaru, 2016; Mayer and Peev, 2017; Lee et al , 2017; Waller, 1999; Wilson and West, 1981). We have grouped these message themes in Table 2.…”
Section: Classifying Offensive/controversial Messages Themes or Execu...mentioning
confidence: 99%