Vilém Flusser’s philosophy of new media history

Schaefer, Peter

doi:10.1177/1461444811418609

Cited by 2 publications

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“…Flusser permaneceu um estranho, nunca se tornando parte de uma aceita história da filosofia. (STRÖHL, 2002, p Kukielko e Rauch (2008), Guasque (2008), Canán (2008), Pandilovski (2016), Mersch (2008), Meulen (2010), Hanke (2012), Schaefer (2011), Weiss (2008). Além disso, em 2012 foi organizado um congresso de dois dias intitulado "Marshall McLuhan and Vilém Flusser" em Winnipeg, no Canad|, com a participaç~o de especialistas e que virou livro (KOHUT, T., PANDILOVSKI, M., 2015).…”

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Vilém Flusser e Marshall McLuhan e as eras comunicacionais

Barbosa

2020

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O artigo propõe debater sobre como Vilém Flusser e Marshall McLuhan discutem as transições entre diferentes eras comunicacionais. Através de análise bibliográfica concluímos que eles compartilham a centralidade da comunicação para compreender a sociedade, assim como a não neutralidade dos meios de comunicação. Concluímos que Flusser está mais próximo de McLuhan do que ele admite, mas que há importantes diferenças na forma como compreendem as transições entre as eras comunicacionais.

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Vilém Flusser e Marshall McLuhan e as eras comunicacionais

Barbosa

2020

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Tracing the Continual Present: Yoko Tawada and Vilém Flusser¹

Arslan

2021

The German Quarterly

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Contemporary German‐Japanese author Yoko Tawada and Czech‐born, German‐speaking media theorist Vilém Flusser constitute an unlikely pair for analysis. Yet, both have produced multilingual oeuvres resistant to systematization and intensely preoccupied with the medium of writing. In her fiction‐essay “An der Spree” from the 2007 collection Sprachpolizei und Spielpolyglotte, Tawada cites Flusser's essay “Letters of the Alphabet” from his 1987 collection Does Writing have a Future? Recalling Flusser's depiction of the Latin alphabet's imagistic roots, Tawada rediscovers and retraces written signs (letters, logograms, and numerals) in Berlin. This essay argues for two key critical products of Tawada's contact with Flusser. First, Tawada reveals the Eurocentrism in Flusser's theory of writing and Western media theory more generally. Second, Tawada's narrators' acts of writing and reading produce continual presents, which in turn revise Flusser's linear‐teleological understanding of writing and time, and a common conception of our current age as one of simultaneity.

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Vilém Flusser’s philosophy of new media history

Cited by 2 publications

References 5 publications

Vilém Flusser e Marshall McLuhan e as eras comunicacionais

Vilém Flusser e Marshall McLuhan e as eras comunicacionais

Tracing the Continual Present: Yoko Tawada and Vilém Flusser¹

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Vilém Flusser’s philosophy of new media history

Cited by 2 publications

References 5 publications

Vilém Flusser e Marshall McLuhan e as eras comunicacionais

Vilém Flusser e Marshall McLuhan e as eras comunicacionais

Tracing the Continual Present: Yoko Tawada and Vilém Flusser1

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Tracing the Continual Present: Yoko Tawada and Vilém Flusser¹