The Image of the Turk in Europe From the Declaration of the Republic in 1923 to the 1990s 2010
DOI: 10.31826/9781463230074-017
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Views of Turkey and "The Turk" in 20thcentury Czech and Slovak Literature

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“… Tahir and Türker (2000: 75) highlight that in some instances Turkish reforms in the Republican era were praised, but then it triggered debates about ‘Turkey’s liminal position between the East and the West and its ensuing identity crisis”. Sabatos (2000) reaches a similar conclusion relying on the Czech and Slovak literature. Sabatos (2000: 261) argues that the representation of Turks as “the dangerous and alien force” in Czech and Slovak imaginary did not necessarily change with the demise of the Ottoman Empire.…”
Section: The Second Period (1923–1945)supporting
confidence: 72%
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“… Tahir and Türker (2000: 75) highlight that in some instances Turkish reforms in the Republican era were praised, but then it triggered debates about ‘Turkey’s liminal position between the East and the West and its ensuing identity crisis”. Sabatos (2000) reaches a similar conclusion relying on the Czech and Slovak literature. Sabatos (2000: 261) argues that the representation of Turks as “the dangerous and alien force” in Czech and Slovak imaginary did not necessarily change with the demise of the Ottoman Empire.…”
Section: The Second Period (1923–1945)supporting
confidence: 72%
“…The edited volume entitled “The image of the Turk in Europe from the declaration of the republic in 1923 to the 1990s” by Kuran-Burçoğlu (2000) hitherto remains the most comprehensive scholarly research on the European perceptions of Turks from 1923 onwards, but the book fails to live up to its promise of explaining in detail how the declaration of the Turkish Republic ‘as a turning point within the history of the image of Turks in Europe’ was observed by Europeans ( Kuran-Burçoğlu, 2000: 12 ). Nevertheless, several chapters of the book provide brief insights on how the Republican Turkey was viewed in different national (mostly Eastern European) settings ( Bibina, 2000 ; Murgeseu, 2000 ; Sabatos, 2000 ; Tahir & Türker, 2000 ). Especially, the chapter by Bibina (2000) exhaustively discusses the impressions of Vladimir Dimitrov, a famous Bulgarian painter during his visit to Istanbul in 1926.…”
Section: The Second Period (1923–1945)mentioning
confidence: 99%
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