“…Several approaches for the content analysis of still images exist; most of them are based on an analysis and comparison of color, texture, and shape [5], [12], [14]. It is generally accepted that content analysis of video sequences requires a preprocessing procedure that first breaks up the sequences into temporally homogeneous segments called shots [1]- [3], [8], [15], then condenses these segments into one or a few representative frames (key frames) [4], [7], [20], [23], and finally determines the relationship between shots on the basis of their audiovisual characteristics (e.g., audio tracks, key frames). This last step we call video-content organization.…”