Was Dommann ausbuchstabiert, fordert Marcel Finke im kunstwissenschaftlichen Kontext ein: »What we don't need is a general panta-rhei-isation. Not everything flows, and not everything flows equally. […] [We] should take a closer look at the rhetoric of the flowing, at flux as a figure of knowledge and thought, and the topos of liquefaction.« (Finke 2020).