Abstract:Når talen falder på storbyfilm, bliver nogle bestemte værker ofte nævnt. Det er film
som Metropolis (1927) af Fritz Lang, Asfaltjunglen (1950) af John Huston, Manhattan
(1979) af Woody Allen og Blade Runner (1982) af Ridley Scott. Fælles for filmene er
for det første, at de tilhører den filmhistoriske kanon i vores del af verden, og for det
andet, at de drager tilskuerens blik til sig med spektakulære billeder af storbyen.
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