1992
DOI: 10.1017/cbo9780511597800
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Verbal Violence in Contemporary Drama

Abstract: In this book, Jeanette Malkin considers a broad spectrum of post-war plays in which characters are created, coerced and destroyed by language. The playwrights examined include Handke, Pinter, Bond, Albee, Mamet and Shepard, as well as Vaclav Havel and two of his plays: The Garden Party and The Memorandum. These playwrights portray language's power within our political, social and interpersonal worlds. The violence that language does, the 'tyranny of words', grabs centre stage in their plays. Characters are man… Show more

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Cited by 11 publications
(3 citation statements)
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“…Many of these have led to the formation of (and extensive de-bate on) the terms "comedy of menace" and "Pinteresque", which are nowadays commonly associated with the author. Countless other critics, including Guido Almansi and Simon Henderson (1983), Jeanette Malkin (1992), and Marc Silverstein (1993), made the playwright's idiosyncratic dramatisation of strategic use of language (as a vehicle of domination, repression and violence) the focus of their research. Jeanette Malkin aligned her analysis with this track in her investigation of the "theatre of language" 7. .…”
Section: Mountain Language: Pinter Politics and Power Playmentioning
confidence: 99%
“…Many of these have led to the formation of (and extensive de-bate on) the terms "comedy of menace" and "Pinteresque", which are nowadays commonly associated with the author. Countless other critics, including Guido Almansi and Simon Henderson (1983), Jeanette Malkin (1992), and Marc Silverstein (1993), made the playwright's idiosyncratic dramatisation of strategic use of language (as a vehicle of domination, repression and violence) the focus of their research. Jeanette Malkin aligned her analysis with this track in her investigation of the "theatre of language" 7. .…”
Section: Mountain Language: Pinter Politics and Power Playmentioning
confidence: 99%
“…Many scholars have studied how aggression and violence are found in many literary works. Malkin (1992), for instance, investigated verbal violence in many contemporary dramatic works. The focus, however, was not on the linguistic representations of aggression nor was it on the pragmatic strategies that convey it.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Krupansky [12] posits that people who use aggressive language do so for short cut to their ends, domination, fun, show of ego and status with the tendency to assault. This category of persons, according to Bayer and Cegala [13] , Malkin [14] , and Lozovska and Gudaite [15] , are often motivated by frustration, deficiency of argumentative skills, seeking for safety, self-defense and confidence. These impulses result in yelling and shouting on others to cause psychological hurt and destroy harmony in social communication.…”
Section: Introductionmentioning
confidence: 99%