2014
DOI: 10.18874/ae.73.1-2.10
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VCD Crossovers: Cultural Practice, Ideas of Belonging, and Santali Popular Movies

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(1 citation statement)
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“…The village settings, house structures, clothes, and language used in the film markedly differ from those found in other Santali speaking areas in northern Jharkhand, northern West Bengal and Assam. Unlike Santals or other tribal groups in central India, who view these (modern) films as part of a continuity of regional tradition, Schleiter claims that Santals in Assam, who also view these films regularly, take it not as ‘their’ tradition, but as part of an overarching ‘imagined community’ that stretches all the way down to central India (Schleiter 2014, 190).…”
Section: Popular Film and Pathways Of Circulationmentioning
confidence: 99%
“…The village settings, house structures, clothes, and language used in the film markedly differ from those found in other Santali speaking areas in northern Jharkhand, northern West Bengal and Assam. Unlike Santals or other tribal groups in central India, who view these (modern) films as part of a continuity of regional tradition, Schleiter claims that Santals in Assam, who also view these films regularly, take it not as ‘their’ tradition, but as part of an overarching ‘imagined community’ that stretches all the way down to central India (Schleiter 2014, 190).…”
Section: Popular Film and Pathways Of Circulationmentioning
confidence: 99%