2020
DOI: 10.1093/mts/mtaa005
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Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves

Abstract: This article explores common approaches taken by drummers when playing music with a quintuple or septuple groove. Based on original analysis from a corpus of 350 songs released during the half-century between 1967 and 2017, I show that these grooves fall into three categories: undifferentiated, in which the drum/s and/or cymbal/s that mark each attack do not change in the course of the groove; backbeat variants, based on the alternation of kick and snare attacks, as in the common-time backbeat; and polymetric … Show more

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Cited by 5 publications
(2 citation statements)
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“…In the development of music teaching, both in China and abroad, a series of teaching methods have been derived from the characteristics and processes of their respective civilizations, among which, the systematic and theoretical "four major music pedagogies" have been produced in foreign countries, and even more effective music teaching methods have been extended, which have had a wide influence [1][2][3]. In the practice of music education in China, the "tradition" of "teaching by heart and mouth" has been formed for a long time, and since the music and songs in the school, foreign music culture has entered the country on a large scale, and this "tradition" has also been rapidly changed into the foreign pedagogical theories and teaching methods.…”
Section: Introductionmentioning
confidence: 99%
“…In the development of music teaching, both in China and abroad, a series of teaching methods have been derived from the characteristics and processes of their respective civilizations, among which, the systematic and theoretical "four major music pedagogies" have been produced in foreign countries, and even more effective music teaching methods have been extended, which have had a wide influence [1][2][3]. In the practice of music education in China, the "tradition" of "teaching by heart and mouth" has been formed for a long time, and since the music and songs in the school, foreign music culture has entered the country on a large scale, and this "tradition" has also been rapidly changed into the foreign pedagogical theories and teaching methods.…”
Section: Introductionmentioning
confidence: 99%
“…Interpretive multiplicity has been used to analyze music with dissonant, ambiguous, or changing meters where there are multiple and competing interpretations for the perceived beat. (10) Butler (2006; adopts the term explicitly when analyzing electronic dance music, but other popular music scholars apply the same approach to analyze changing meters (Osborn 2017;Biamonte 2014;Osborn 2010), asymmetrical meters (Hanenberg 2020;Osborn 2017;Osborn 2010), and ambiguous meters, especially at song beginnings (Capuzzo 2018;Biamonte 2014;London 2006;Zbikowski 2004). The consistent characteristic of interpretive multiplicity is that the perceived beat's multiple interpretations emerge because of a song's metric instability.…”
mentioning
confidence: 99%