Proceedings of the 6th ACM SIGCHI Conference on Creativity &Amp; Cognition - C&C '07 2007
DOI: 10.1145/1254960.1254985
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Using dramaturgical methods to gain more dynamic user understanding in user-centered design

Abstract: In this paper we introduce the method of dramaturgical reading, which was originally a method of producing different crystallized and associative theatrical and graphical presentations of a role character in a drama context. We transfer dramaturgical reading into the field of user-centered design in order to understand, analyze and represent usercentered material. We compare a persona created with dramaturgical reading to a user profile and persona. We state that adapting a role character as an embodied and co… Show more

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Cited by 24 publications
(16 citation statements)
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“…In other contexts, interviews are commonly used in order to understand 'user requirements and dreams' [4]. Despite the fact that an interview is time consuming, it is still considered as an informal type of approach for gaining information on older people.…”
Section: Study 1: User Requirements Elicitation Methods (Interview Vementioning
confidence: 99%
“…In other contexts, interviews are commonly used in order to understand 'user requirements and dreams' [4]. Despite the fact that an interview is time consuming, it is still considered as an informal type of approach for gaining information on older people.…”
Section: Study 1: User Requirements Elicitation Methods (Interview Vementioning
confidence: 99%
“…This dynamic aspect covers the following: 1) Sticking close to the down-to-earth needs of the performed role 2) Willingness and ability to study the specific situations and backgrounds of other participants at any time 3) Timing the performance of roles, providing experiences for changes in script direction 4) Linking to the actor portraying the role [27] If we say that the core products of 104 in their first-generation job search site were "people" (i.e., helping people to find jobs and helping jobs to find people), then the core of their second-generation product is to give a role to each person. In January 2014, an9 was formally launched, allowing observers to become actors.…”
Section: Dynamic Participation Of the Spect-actor In Dramaturgical Thmentioning
confidence: 99%
“…20,36], for service design [14], or using dramaturgical methods together with personas [e.g. 16,31].…”
Section: Studies Of Personas Usementioning
confidence: 99%