“…At the editing scenario text and presentation stage of DST creation, both DST creators and the audience actively uses listening (Banazevsky, 2002;Van & Gills, 2005;Yamac & Ulusoy, 2006;Bran, 2009;Miller 2009;Slvyester & Greenedge, 2009;Gubrium, 2010;Wang & Zhan, 2010;Gordon, 2011;Nguyen 2011;Simsek 2012;Yang & Wu, 2012;Bozdogan 2012;Bumgarner, 2012;Hull & Katz, 2006;Ozkoz & Elola 2016;Fokides 2016). At the process of DST creation, voice is recorded, and records are listened, and these records are edited according to feedbacks (Bumgarner, 2012;Castañeda, 2013;Ozkoz & Elola, 2016).…”