1990
DOI: 10.1007/bf00168455
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Use of the song repertoire in intersexual and intrasexual contexts by male red-winged blackbirds

Abstract: Live and stuffed male and female red-winged blackbirds (Agelaius phoeniceus) were presented to territorial males in order to study the repertoire organization of males during intersexual and intrasexual encounters. Territorial male red-winged blackbirds switched song types more frequently and sang more song types in response to presentation of a female stimulus than during control periods, but decreased their switching frequency when a male stimulus was presented. Switching frequency in response to the female … Show more

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Cited by 72 publications
(24 citation statements)
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“…In some bird species, complex male songs attract females (for a review, see Catchpole & Slater, 1995). There is evidence that male song complexity is under the discriminative stimulus control of a receptive female (Searcy & Yasukawa, 1990). That explicit reinforcement may play a role in such song complexity is suggested by the Manabe et al (1997) study, described above.…”
Section: Related Areasmentioning
confidence: 86%
“…In some bird species, complex male songs attract females (for a review, see Catchpole & Slater, 1995). There is evidence that male song complexity is under the discriminative stimulus control of a receptive female (Searcy & Yasukawa, 1990). That explicit reinforcement may play a role in such song complexity is suggested by the Manabe et al (1997) study, described above.…”
Section: Related Areasmentioning
confidence: 86%
“…Following Searcy and Yasukawa (1990), we calculated song type switching frequency as X/c/(n-l), where X is the number of song switches in a sample and n is the number of songs in the sample. As discussed by Searcy and Yasukawa, this measure gives an index of song type switching that can be based on an entire sample of songs, and which is not confounded by singing rate.…”
Section: Generalmentioning
confidence: 99%
“…1): (1) length, the duration in sec of the vocalization, (2)% to peak, the percent of the vocalization length elapsed until the peak amplitude was reached, and (3) interval, the length of time (s) from the end of the previous vocalization and the start of the vocalization in question. The switching frequency among VTs was computed following Searcy and Yasukawa (1990) as the observed number of switches of VT divided by the number of opportunities to switch. A bout of using a given VT is defined as a series of vocalizations (one or more) that are of the same VT.…”
Section: Methodsmentioning
confidence: 99%
“…A bout of using a given VT is defined as a series of vocalizations (one or more) that are of the same VT. If in a series of n vocalizations there are x bouts, then the switching frequency is (x(1)/(n(1) (Searcy and Yasukawa 1990).…”
Section: Methodsmentioning
confidence: 99%