2014
DOI: 10.14811/clr.v37i0.183
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Unruly Girls and Unruly Language: Typography and Play in David Almond’s My Name is Mina.

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“…Hence, Mina's writing can be seen from the embodiment theoretical framework's point of view (Harde, Kokkola 2017). In particular, Eve Tandoi (2014), in an interesting article on My name is Mina and the use of typography, underlines how the girl's philosophy is deeply rooted in the body, connecting herself both to the animated beings and inanimate objects that surround her, and that she can experience. Following these remarks, we can say that in Mina's writing words are not just words, since they give her a sort of physical pleasure, they are in a certain way alive, and at the same time, they make her feel alive: they are something the girl can play with, something she can even taste.…”
Section: My Name Is Mina -Tasting Wordsmentioning
confidence: 99%
“…Hence, Mina's writing can be seen from the embodiment theoretical framework's point of view (Harde, Kokkola 2017). In particular, Eve Tandoi (2014), in an interesting article on My name is Mina and the use of typography, underlines how the girl's philosophy is deeply rooted in the body, connecting herself both to the animated beings and inanimate objects that surround her, and that she can experience. Following these remarks, we can say that in Mina's writing words are not just words, since they give her a sort of physical pleasure, they are in a certain way alive, and at the same time, they make her feel alive: they are something the girl can play with, something she can even taste.…”
Section: My Name Is Mina -Tasting Wordsmentioning
confidence: 99%