Abstract:This paper examines some implications for public libraries of the Australian government's 2009 strategy for the digital economy. Many countries have produced national digital strategies in recent years, but these key pieces of policy architecture have received little critical attention. The rhetorical framing of the Australian document indicates the shift of communication and information to the centre of economic policy. This has particular significance for public libraries, as the major public information por… Show more
“…EReolen and Filmstriben had sound utilisation rates, while other licenses were used far too seldom regarding the expenses: “It is a challenge in many libraries and we are several [institutions], who have not broken the code yet”. (SJ, 11 March 2020, line 128-130; McShane and Thomas, 2010, p. 159).…”
Section: Resultsmentioning
confidence: 99%
“…Digital documents exclusively distributed via licenses for streaming services or subscriptions to databases are thus not covered by legislation why the public library is not allowed to participate in the interurban loan system with these media types (cf. Afori, 2013, p. 14; McShane and Thomas, 2010, pp. 152-154).…”
Section: Research Questionmentioning
confidence: 99%
“…(2010), Ian McShane and Julian Thomas conducted a comparative study of the digitisation strategies of 6 OECD countries and show how several strategies, including the Australian one, promote the economic and competitive potential of digitisation. Culture and library institutions are considered from an instrumental rationale with a focus on functions such as content provision, secure access and accessibility and training in the use of digital tools and services (McShane and Thomas, 2010, p. 158). McShane and Thomas argue for a sustainable alternative to the market-oriented direction of the Australian digitalisation strategy, where the constitution, preservation and use of the common cultural memory and introduction to digital literacy, source criticism and access to open source platforms, are key elements.…”
Section: Literature Reviewmentioning
confidence: 99%
“…In a library professional context, the term democratic accessibility covers citizens’ free and equal access to the media types found in the public library, regardless of form and content. The unique reproducibility of the digital document has the potential to significantly increase accessibility, but different business models are crucial for the realisation of this potential, as the analysis will show (Yeo, 2020; Afori, 2013; McShane and Thomas, 2010). Accessibility is a prerequisite for the citizen to be able to applicate the information, knowledge, or culture contained in the document in question to enrich their everyday lives, privately, as well as vocationally, and commercially.…”
Section: Theorymentioning
confidence: 99%
“…The Danish public library does not carry out formal teaching activities, but offers various non-formal learning courses, like campaigns to promote the desire to read, expand citizens’ information and communication technology skills or provide guidance in self-service solutions (Engström and Eckerdal, 2016, pp. 154-155; McShane and Thomas, 2010, p. 159). It is these functions the committee propose intensified and expanded in collaboration with various educational associations (The public libraries […] 2010, p. 10).…”
Purpose
The purpose of this paper is to investigate what democratic challenges the digitisation of the public libraries in Denmark has entailed. Using the concepts from a national library professional strategy from 2012, an analysis of 9 librarians’ experiences with digital dissemination in practice is conducted.
Design/methodology/approach
The paper is a part of a larger research project called “If digitisation is the answer, then what was the question?”. This sub study builds on the semi-structured interviews with library staff members, case-descriptions of two central providers of digital public library materials, as well as literature studies of missions, vision and strategies from different public library policy institutions. To frame the study, a literature review has been conducted.
Findings
The author detects the presence of several incompatible conditions in digital dissemination. These conditions are predominantly of an organisational nature, potentially containing major consequences for citizens’ free and equal access to information, knowledge and culture. Among other things, the Danish public libraries risk substantiating an already existing and problematic polarisation between technologically capable and incapacitated groups of people.
Originality/value
The digital transformation of society has only just begun. Therefore, it is important to examine the consequences of the transition to digital media types for central cultural institution such as the public libraries. The present study is an early and minor contribution to the illumination of a process requiring many more and large-scale studies.
“…EReolen and Filmstriben had sound utilisation rates, while other licenses were used far too seldom regarding the expenses: “It is a challenge in many libraries and we are several [institutions], who have not broken the code yet”. (SJ, 11 March 2020, line 128-130; McShane and Thomas, 2010, p. 159).…”
Section: Resultsmentioning
confidence: 99%
“…Digital documents exclusively distributed via licenses for streaming services or subscriptions to databases are thus not covered by legislation why the public library is not allowed to participate in the interurban loan system with these media types (cf. Afori, 2013, p. 14; McShane and Thomas, 2010, pp. 152-154).…”
Section: Research Questionmentioning
confidence: 99%
“…(2010), Ian McShane and Julian Thomas conducted a comparative study of the digitisation strategies of 6 OECD countries and show how several strategies, including the Australian one, promote the economic and competitive potential of digitisation. Culture and library institutions are considered from an instrumental rationale with a focus on functions such as content provision, secure access and accessibility and training in the use of digital tools and services (McShane and Thomas, 2010, p. 158). McShane and Thomas argue for a sustainable alternative to the market-oriented direction of the Australian digitalisation strategy, where the constitution, preservation and use of the common cultural memory and introduction to digital literacy, source criticism and access to open source platforms, are key elements.…”
Section: Literature Reviewmentioning
confidence: 99%
“…In a library professional context, the term democratic accessibility covers citizens’ free and equal access to the media types found in the public library, regardless of form and content. The unique reproducibility of the digital document has the potential to significantly increase accessibility, but different business models are crucial for the realisation of this potential, as the analysis will show (Yeo, 2020; Afori, 2013; McShane and Thomas, 2010). Accessibility is a prerequisite for the citizen to be able to applicate the information, knowledge, or culture contained in the document in question to enrich their everyday lives, privately, as well as vocationally, and commercially.…”
Section: Theorymentioning
confidence: 99%
“…The Danish public library does not carry out formal teaching activities, but offers various non-formal learning courses, like campaigns to promote the desire to read, expand citizens’ information and communication technology skills or provide guidance in self-service solutions (Engström and Eckerdal, 2016, pp. 154-155; McShane and Thomas, 2010, p. 159). It is these functions the committee propose intensified and expanded in collaboration with various educational associations (The public libraries […] 2010, p. 10).…”
Purpose
The purpose of this paper is to investigate what democratic challenges the digitisation of the public libraries in Denmark has entailed. Using the concepts from a national library professional strategy from 2012, an analysis of 9 librarians’ experiences with digital dissemination in practice is conducted.
Design/methodology/approach
The paper is a part of a larger research project called “If digitisation is the answer, then what was the question?”. This sub study builds on the semi-structured interviews with library staff members, case-descriptions of two central providers of digital public library materials, as well as literature studies of missions, vision and strategies from different public library policy institutions. To frame the study, a literature review has been conducted.
Findings
The author detects the presence of several incompatible conditions in digital dissemination. These conditions are predominantly of an organisational nature, potentially containing major consequences for citizens’ free and equal access to information, knowledge and culture. Among other things, the Danish public libraries risk substantiating an already existing and problematic polarisation between technologically capable and incapacitated groups of people.
Originality/value
The digital transformation of society has only just begun. Therefore, it is important to examine the consequences of the transition to digital media types for central cultural institution such as the public libraries. The present study is an early and minor contribution to the illumination of a process requiring many more and large-scale studies.
The offering of electronic content was once considered a value add to physical collections. Today, the majority of clients expect libraries -as well as other collecting institutions such as archives, galleries and museums -to facilitate access to digital material as a standard service. In response to these expectations, many different types of library services, and other information agencies, have worked to establish an online presence to complement and enrich a physical presence. The processes required to select items, digitise them and subsequently make them accessible online are essential to the development of any digital collection. This article argues that the usefulness of such collections can be greatly enhanced if digitised objects are presented as part of a story. Moreover, this article acknowledges that librarians have always been storytellers, while suggesting the need to build on this craft to ensure that storytelling takes place in both physical and digital settings. In particular, this article will look at the ideas of curating and choreographing, and will highlight how these concepts can work together to produce creative online environments that facilitate the establishment of a series of emotional connections between clients and collection materials.
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