Unheard-of: Music as Performance and the Reception of the New

Dusman, Linda

doi:10.2307/833601

Cited by 5 publications

(1 citation statement)

References 6 publications

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“…16 Additionally, "interpretation is never anything more than a proposal," 17 which can become a "form of censorship" 18 and a projection of the self, as in Dusman's "individual identity." 19 It is a projection of the "interpreter" onto the "interpreted," mirroring the projection of the "maker" onto the "made." Finally, both intentionality and interpretation imply cultural assumptions, "all mapped by metaphoric implication onto the original binary: Self/ Other."…”

Section: For the Earsmentioning

confidence: 99%

Field Recordings: A Manifesto

Pinheiro¹

2022

pkult

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The article focuses on the political implications of field recording (FR) in relation to sound ecology, education, art, and technology. On the one hand, it discusses how FR can protect us as a social tool in a paradoxical relationship between FR as an artistic practice and social networks that motivate alienation. On the other hand, it addresses the difference between what we perceive as sonic properties used for aesthetic purposes and what neural networks compute to create their internal structures in the process of artificial intelligence. This article adopts a preliminary approach to the above-mentioned topics while it seeks to raise questions and awareness. Drawing upon such theorists as Voegelin, Steingo and Sykes, LaBelle, and Agostinho, it adopts a pragmatic perspective on everyday life and its political implications.

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Section: For the Earsmentioning

confidence: 99%

Field Recordings: A Manifesto

Pinheiro¹

2022

pkult

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A-F

2006

Performance Research

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Where once the polis inaugurated a political theatre, with its agora and its forum, now there is only a cathode-ray screen, where the shadows and spectres of a community dance amid their processes of disappearance… (Virilio, 1991: 19) Paul Virilio engages consistently with the military-industrial complex of the modern technologic city and the dangers of the resulting 'abandoned real '. In Lost Dimension (1991), he points to the growing lack of 'plenum', space that should be filled with (human) matter and substance. Plenum, he suggests, has been abandoned for 'an electronic topology', erasing face to face encounter. Virilio's prediction of the demise of communities posited on live presence is not unique. Indeed, Williams' community, a 'warmly persuasive word to describe an existing set of relationships ' (1976: 76), with its implication of physical locus, has been challenged, jostled and nearly thrown out with the bath water in the thirty years since Keywords.

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What's So Great About the Real Thing?

McKeown-Green¹

2007

The Journal of Aesthetic Education

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Unheard-of: Music as Performance and the Reception of the New

Cited by 5 publications

References 6 publications

Field Recordings: A Manifesto

Field Recordings: A Manifesto

A-F

What's So Great About the Real Thing?

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