2018
DOI: 10.2979/histmemo.30.1.06
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Understanding the Holocaust through Film: Audience Reception between Preconceptions and Media Effects

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Cited by 2 publications
(2 citation statements)
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“…S. Rauch, quite reasonably, pointed out that it was not textual analysis only necessary in the study of the movie, but also the study of the real audience. The author argued that the film was relevant to the individual perception of the movie (Rauch, 2018).…”
Section: Discussionmentioning
confidence: 99%
“…S. Rauch, quite reasonably, pointed out that it was not textual analysis only necessary in the study of the movie, but also the study of the real audience. The author argued that the film was relevant to the individual perception of the movie (Rauch, 2018).…”
Section: Discussionmentioning
confidence: 99%
“…In addition to traditional educational settings such as school classrooms and university lecture halls, a variety of media sources such as film, literature, and popular and digital media have become sites of learning about the Holocaust for younger and older generations (Makhortykh et al, 2021; Popescu & Schult, 2015; Rauch, 2018). Furthermore, the field of Holocaust memory and education has been profoundly affected by the rapid development of digital technologies (Walden, 2021), which have played an ever more important part in the globalisation and internationalisation of Holocaust memory (Assmann, 2017; Hoskins, 2018).…”
Section: Introductionmentioning
confidence: 99%