People and Computers XVIII — Design for Life
DOI: 10.1007/1-84628-062-1_1
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Understanding Interaction in Ubiquitous Guerrilla Performances in Playful Arenas

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Cited by 30 publications
(41 citation statements)
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“…Based on this definition, they identify two types of performative interactions: those where technology is part of the artistic expression and rely on a performer actually performing on some kind of stage (we call them performer-driven interactions), and those with no official performer where it is the technology that triggers an audience to participate (we call them technology-driven interactions). Recent examples of performer-driven performative interactions are Joe Malia's "Scarf" [13], Philips "Skin Probe Bubble" [14], various performances by Stelarc [18], and "Schizophrenic Cyborg" by Sheridan and colleagues [16][17]. Examples of technology-driven performative interactions are "Presence" by Laura Dekker [7], "SMS Slingshot" by VR/URBAN [20] or "Text Rain" by Camille Utterback and Romy Achituv [19].…”
Section: Performative Interactionsmentioning
confidence: 99%
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“…Based on this definition, they identify two types of performative interactions: those where technology is part of the artistic expression and rely on a performer actually performing on some kind of stage (we call them performer-driven interactions), and those with no official performer where it is the technology that triggers an audience to participate (we call them technology-driven interactions). Recent examples of performer-driven performative interactions are Joe Malia's "Scarf" [13], Philips "Skin Probe Bubble" [14], various performances by Stelarc [18], and "Schizophrenic Cyborg" by Sheridan and colleagues [16][17]. Examples of technology-driven performative interactions are "Presence" by Laura Dekker [7], "SMS Slingshot" by VR/URBAN [20] or "Text Rain" by Camille Utterback and Romy Achituv [19].…”
Section: Performative Interactionsmentioning
confidence: 99%
“…In "Schizophrenic Cyborg" [16][17], a performer is facing an audience with a screen hanging on his belly. The interface on his body displays an interaction that is in fact activated by another performer who is not visible to the public.…”
Section: Performative Interactionsmentioning
confidence: 99%
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