Understanding affective design in a late-modernity perspective

Bødker, Mads; Christensen, Mark; Jørgensen, Anker Helms

doi:10.1145/782896.782931

Cited by 7 publications

(5 citation statements)

References 2 publications

(2 reference statements)

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“…Evaluating and interpreting this measure presents a challenge because of many ambiguities related to the definition of affect, its communication, and subsequent interpretation [34]. Hence, methods and tools must develop the ability to be adaptive and sensitive towards shifting tasks, interests, communication as well as affect and emotions [8]. Despite the substantial progress made in the assessment methods and tools, several researchers [7], [11], [35] pointed out that to gain a more reliable assessment, coexisting use of multiple methods is required.…”

Section: Methodologies To Evaluate Aucd In Video Gamesmentioning

confidence: 99%

“…According to [8], the former affective design approach leaned towards the more traditional human factors approach, whereas the latter shows a more significant shift in the approach of the design. Even so, the two methods are concerned with affect as well as emotion and they are valued as important aspects of use.…”

Section: Addressing Affective User-centered Designmentioning

confidence: 99%

“…However, pure functionality may not affect certain latemodernist individuals through emotional achievement. Users tend to prefer pleasurable design without any apparent reason [8]. This may highlight the mindset gap between latemodernist and the new mentality that tend to adore and appreciate positive affect and emotion, exceeding the epitomes of the more traditional direction.…”

Section: Addressing Affective User-centered Designmentioning

confidence: 99%

“…From post literature, the terms "affective design" and "user-centered design" appear to have been coined by a few authors [8], [9]. However, the term affective user-centered design has yet to be defined.…”

Section: Addressing Affective User-centered Designmentioning

confidence: 99%

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A review of affective user-centered design for video games

Khong

2014

2014 3rd International Conference on User Science and Engineering (I-USEr)

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In recent years, there have been increasing interests in the field of Human Computer Interaction (HCI) towards gaming. Due to the competitive industry and high demand for novelty in today's world, gaming has now become a valuable and stimulating research setting for HCI researchers to study its interface and interaction design, input devices, graphical user interface, social communication and development processes. Video games have advanced technologically and visually, and seem to demand greater levels of engagement from their users. The degree of interaction designed into a game is vital to effectively generate a constructive or destructive player (user) experience. The success of the gaming industry has bred a desire to accurately understand and measure player responses to video gaming, thus making video games a perfect test-bed for HCI explorations. This paper will attempt to address and review the literature on affective user-centered design principles, elements and methodologies that are applicable in video games.

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Section: Methodologies To Evaluate Aucd In Video Gamesmentioning

confidence: 99%

Section: Addressing Affective User-centered Designmentioning

confidence: 99%

Section: Addressing Affective User-centered Designmentioning

confidence: 99%

Section: Addressing Affective User-centered Designmentioning

confidence: 99%

See 2 more Smart Citations

A review of affective user-centered design for video games

Khong

2014

2014 3rd International Conference on User Science and Engineering (I-USEr)

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“…Affective design is an approach that values affect and emotions in the users. This research is driven by aesthetic discipline that facilitates both effective and affective matters: the first one is connected to a traditional Human Factors approach and the second one is closely addressed in design research (Bødker et al, 2003). In this affective design space, designing functionality is not separable from creating certain experiences in embedding technology into life.…”

Section: Revisiting Affective D Esignmentioning

confidence: 99%

Expressive entities: An Exploration and Critical Reflection on Poetic Engagementsj with Technology

Lee¹

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Part 1 is organized into two Chapters:In Chapter 1, I introduce the conceptual research outline and main contents of this thesis by unpacking my research motivation, background, related literature, main research goal and question, and the overall trajectory through a conceptual map. Then, I will recap all of these elements in the last section that explains the structure of this dissertation.In Chapter 2, I will unpack my research methodology by explaining the meaning of making artifacts ("Expressive Entities") in Research through Design (RtD) and summarize other methodological approaches in RtD. Then, I articulate concepts of practice-based research knowledge, experimental artifacts, and experimental making in RtD. Finally, "Experimental Making" will be introduced, which is used for constructing this dissertation, composed of three elements: Defamiliarization, Imagination, and Creativity .PART 2 is organized into two parts: In Chapter 3, I will represent a Design Research Program that draws a conceptual connection through my research motivation, concept, approach, design, and outcome to shape the main framework of this thesis, "Poetic Engagements with Technology".In Chapter 4 -Chapter 7, I will unpack the designed artifacts which refer to "Expressive Entities" and how they produce Four Poetic Interactions which are specified from the concept of poetic engagements.The following funding opportunities and supports have been contributed to creating my design work, "Expressive Entities" throughout the years."Tête-à-tête 22" has re-made for exibiting for Dutch Design Week, 2022, and has funded by Unversity of Twente. This is a collaboration with Daniel Saakes."Footsie" was conceived and created during two artist residency programs. -The table top during the artist residency-'subnet air' at HCI center, Salzburg, Austria, 2017 and the chair at the Pink, RiSE, Umea, Sweden, 2019. This is a collaboration with Daniel Saakes."Coffee with a Spider" has conceived and funded by the Asia Cultural Center during an ACC artist residency 2018, South Korea. It was completed by re-creating the table component and adding a lighting interaction to the chandelier in the Netherlands in 2023."Thou and I", "I Smile at You...", "Greeting", "Don't Talk to Me", funded by a Faculty Research Grant 2017 of Indiana University, South Bend. Some of the projects were developed at the Center for HCI, University Salzburg, Austria, during the "subnet AIR" artist residency in 2017.

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A Review of Affective Design towards Video Games

Khong

Thwaites

2012

Procedia - Social and Behavioral Sciences

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Understanding affective design in a late-modernity perspective

Cited by 7 publications

References 2 publications

A review of affective user-centered design for video games

A review of affective user-centered design for video games

Expressive entities: An Exploration and Critical Reflection on Poetic Engagementsj with Technology

A Review of Affective Design towards Video Games

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