Abstract:This paper has presented the basis for a reformulation of the traditional psychoanalytic usage of the term spontaneous evocations. Illustrated with a supervisory example, I have argued for a return to Freud's original use of the word unintentional or to equivalent synonyms. The process whereby such unexpected music evocations appear in consciousness has been termed "unconsciously induced song recall." The role of serendipity in this theoretical reformulation will be addressed separately (see Díaz de Chumaceiro… Show more
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