Un thymiatérion archaïque en bronze dans les collections du Louvre

Descamps-Lequime, Sophie

doi:10.4000/books.inha.4400

Cited by 2 publications

(1 citation statement)

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“…Adornato 2019, Severe Style; Goette 2021, Archaic; Kansteiner 2021, Polykleitos). Other publications seek out wider technical, stylistic, and historical connections that can be drawn from sculptures, among them edited volumes on Greek and Roman Bronzes (Descamps-Lequime and Mille 2017), another on the ‘intermediality’ of sculpted image and inscribed text (Dietrich and Fouquet 2022), and a series of lectures given in Paris that connects sculptures of all periods to images on vases, mosaics, and other arts (Hölscher 2018). In addition to the site reports mentioned above, examples of both free-standing and architectural sculpture connected to specific sites (e.g.…”

Section: Sculpture and Terracottasmentioning

confidence: 99%

8 Greek art: recent developments and current trends

Smith

2023

Arch. Rep.

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This review essay focuses on recent developments and trends in the study of ancient Greek art. The publications covered date primarily to the period beginning in 2017–2018, though selected earlier works have been included where considered to be of particular merit or importance. Examples have been chosen to span and represent the long Archaic to Hellenistic phases (eighth–first century BC), and a full range of artistic categories and media have been featured in the discussions. In order to structure the large quantity of bibliography available, the presentation is divided into several broad categories according to themes (e.g. sites, reports, guides; exhibitions, conferences, Festschriften) or materials (e.g. sculpture and terracottas; metals, coins, gems, and jewellery). Where possible, digital resources applicable to the discipline have also been mentioned and cited. By way of conclusion, some general observations are made about the subjects of Greek art that seem not only to be the most prevalent in recent scholarship, but also transcend artistic medium, style, and scale – among them the body and adornment, senses and emotion, aesthetics and beauty, religion and performance, and archaeological contexts and intercultural connections.

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Section: Sculpture and Terracottasmentioning

confidence: 99%

8 Greek art: recent developments and current trends

Smith

2023

Arch. Rep.

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L’équipe qui fabriqua le cratère de Vix : habitudes scripturales, traditions stylistiques, organisation et localisation de l’atelier

Verger¹

2020

Revue Archéologique

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Dans la suite des études de Claude Rolley, on précise la composition mixte de l’équipe d’artisans réunie pour la fabrication du cratère de Vix. Elle comprenait au moins deux modeleurs – l’un de tradition laconienne et l’autre de tradition corinthienne – qui se sont partagé la confection des pièces décoratives. L’assemblage a été fait par trois personnes utilisant des alphabets différents pour le marquage des appliques, sous la responsabilité d’un chef d’atelier peut-être achéen d’Occident. Le cratère a été fabriqué dans le troisième quart du vi e siècle, probablement à Poséidonia en Campanie.

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Un thymiatérion archaïque en bronze dans les collections du Louvre

Cited by 2 publications

References 1 publication

8 Greek art: recent developments and current trends

8 Greek art: recent developments and current trends

L’équipe qui fabriqua le cratère de Vix : habitudes scripturales, traditions stylistiques, organisation et localisation de l’atelier

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