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I pick up the volumes of books cradling the text of this language.I feel the sandpapering this language once was and re-watch as my bodysmoothes the rough edges as the words journey through me. (Maracle 2013, 19)When I read Maracle's words, I am reminded of two powerful anthologies: A Gathering of Spirit (Brant 1988), and Reinventing the Enemy's Language: Contemporary Native Women's Writings of North America (Harjo and Bird 1998). Indeed, as Brant articulated, “writing done with a community consciousness” (Brant 1988, 19) has led to an Indigenous literary movement that extends Indigenous philosophies with contemporary realities to transform feminist theorizing.…”
I pick up the volumes of books cradling the text of this language.I feel the sandpapering this language once was and re-watch as my bodysmoothes the rough edges as the words journey through me. (Maracle 2013, 19)When I read Maracle's words, I am reminded of two powerful anthologies: A Gathering of Spirit (Brant 1988), and Reinventing the Enemy's Language: Contemporary Native Women's Writings of North America (Harjo and Bird 1998). Indeed, as Brant articulated, “writing done with a community consciousness” (Brant 1988, 19) has led to an Indigenous literary movement that extends Indigenous philosophies with contemporary realities to transform feminist theorizing.…”
I am home again.Squamish voices are everywhere here.I am so totally old and so completely new here.I pull fragments from old file cabinets,Splinters of memory,Bind them together to re-shape my world.I weave this imagined dream world onto oldSquamish blankets,history-hole-punched and worn—to re-craft today,to re-member future in this new languageAnd I sing I am home again. (Maracle 2013, 20)…”