Abstract:Two fragments of a screen painted c. 1500 in the parish church of St Michael and All Angels at Hamstall Ridware in Staffordshire are analysed with reference to their imagery, handling and original setting. Although now mounted on a modern reredos, the panels were made for use in the church, and probably formed part of the rood screen. Unusually, they were painted on the interior, east-facing sides of the screen they occupied: this can be established by analysis of the panels' structure and the extent of the pa… Show more
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