1989
DOI: 10.1080/07491409.1989.11089734
|View full text |Cite
|
Sign up to set email alerts
|

TV Rape: Television's Communication of Cultural Attitudes toward Rape

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

1
5
0

Year Published

1995
1995
2017
2017

Publication Types

Select...
6
1

Relationship

1
6

Authors

Journals

citations
Cited by 9 publications
(6 citation statements)
references
References 4 publications
1
5
0
Order By: Relevance
“…Projansky convincingly shows that even educational videos about rape and rape prevention have been unable to provide truly feminist discourse because even they continue to heighten anxiety for potential rape victims, perpetuate the focus on white protagonists, engage in objectification of women's bodies, and strongly suggest that rape prevention is the responsibility of individual women. While its basic findings reinforce those of other scholars of rape in the mass media including Benedict (1992), Brinson (1989), Clover (1992), Cuklanz (1996Cuklanz ( , 2000, Moorti (2001), Watching Rape breaks new ground in both its ambitious scope and impressive detail. Its comprehensive analysis of rape prevention independent video is unique among rape/media scholarship.…”
supporting
confidence: 59%
“…Projansky convincingly shows that even educational videos about rape and rape prevention have been unable to provide truly feminist discourse because even they continue to heighten anxiety for potential rape victims, perpetuate the focus on white protagonists, engage in objectification of women's bodies, and strongly suggest that rape prevention is the responsibility of individual women. While its basic findings reinforce those of other scholars of rape in the mass media including Benedict (1992), Brinson (1989), Clover (1992), Cuklanz (1996Cuklanz ( , 2000, Moorti (2001), Watching Rape breaks new ground in both its ambitious scope and impressive detail. Its comprehensive analysis of rape prevention independent video is unique among rape/media scholarship.…”
supporting
confidence: 59%
“…However, the available data indicate that myths are fairly prevalent when the topic of rape is broached in programming. For example, Brinson (1992) analyzed 26 prime-time television storylines that contained references to rape, and found that the average storyline contained at least one reference to a rape myth. Brinson found that 42% of the storylines suggested that the rape victim wanted to be raped, 38% of the storylines suggested that the victim lied about the assault, and 46% of the storylines suggested that the victim had "asked for it" in the way that she dressed or acted (male and female characters were equally likely to make this accusation).…”
Section: Rape Myths On Televisionmentioning
confidence: 99%
“…Depictions of SV have also become increasingly popular on television, particularly crime dramas (Cuklanz & Moorti, 2006). In an analysis of 26 prime time television shows containing rape story lines, Brinson (1992) found that rape myths were present, on average, 5.08 times per story line. In regard to film, the R-rated slasher genre (i.e., a subgenre of horror films in which the villain [usually male] stalks and murders his or her victims [usually female] in a graphically violent manner) has frequently been criticized for showing sexual acts and violence against women, with one third of sex scenes characterized by violence (Linz & Donnerstein, 1994), approximately 1.38 scenes per slasher film depict sex and violence concomitantly (Welsh, 2009), and as many as 22% of female characters die in sexual situations (Molitor & Sapolsky, 1993).…”
Section: Prevalence Of Dating and Sv In Popular Mediamentioning
confidence: 99%