2018
DOI: 10.3983/twc.2018.1580
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Tumblr and fandom

Abstract: Editorial for special issue, "Tumblr and Fandom," guest edited by Lori Morimoto and Louisa Stein.

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Cited by 3 publications
(4 citation statements)
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“…Our study focuses on the Riverdale fandom situated on Tumblr although we acknowledge the transmedia and cross-platform nature of the fandom. Since its establishment in 2007, Tumblr has been recognized as a significant site for fandom engagement with a suite of literature focusing on how its platform affordances have influenced the evolution of online fandom practices, communication, and organizational models (Morimoto and Stein 2018).…”
Section: Methods: Tumblr Platform Affordances and Thematic Analysismentioning
confidence: 99%
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“…Our study focuses on the Riverdale fandom situated on Tumblr although we acknowledge the transmedia and cross-platform nature of the fandom. Since its establishment in 2007, Tumblr has been recognized as a significant site for fandom engagement with a suite of literature focusing on how its platform affordances have influenced the evolution of online fandom practices, communication, and organizational models (Morimoto and Stein 2018).…”
Section: Methods: Tumblr Platform Affordances and Thematic Analysismentioning
confidence: 99%
“…Tumblr has been perceived to be “defiantly nonhierarchical, decentralized, and uncontrollable” (Morimoto and Stein 2018, para. 2.2.)…”
Section: Methods: Tumblr Platform Affordances and Thematic Analysismentioning
confidence: 99%
“…Tumblr, at least through 2018, served as a gathering point for multiple niche groupings and marginalized identities, including but not limited to: fandom participants (Bury et al, 2013; Hillman et al, 2014; Morimoto & Stein, 2018); queer and trans users (Cho, 2018; Dame, 2016; Fink & Miller, 2014; Oakley, 2016); and chronically ill users (Gonzalez-Polledo, 2016; Gonzalez-Polledo & Tarr, 2016). Bailey and Trudy (2018) first wrote about, developed, and disseminated the concept of misogynoir on Tumblr and the #blackout movement originated on Tumblr in 2015 (Calhoun, 2020).…”
Section: Tumblr’s Opacity and Opportunitiesmentioning
confidence: 99%
“…Furthermore, reaction gifs participate in the construction of that cultural knowledge (Kanai, 2017). Tumblr’s emphasis on visual content (Cho, 2015; Morimoto & Stein, 2018; Xu et al, 2014) is underscored by the widespread production and circulation of reaction gifs on the platform (Bourlai & Herring, 2014; Gürsimsek, 2016) and claims that animated gifs are “significantly more engaging than other kinds of media” (Bakhshi et al, 2016, p. 575).…”
Section: Identity: Lagonegirl and Popular Postsmentioning
confidence: 99%