Abstract:For more than three decades now, researchers supporting the mainstream theoretical orientation in the field of rock art studies, the shamanistic model, have largely ignored the possibility that the idiom of the hunt could contribute meaningfully to the task of deciphering the often complex and enigmatic masterpieces of the San hunter-gatherers. They may have been mistaken all along. This paper argues that a good deal of the art produced by the hunters related intimately to the hunt, even though this may seem, … Show more
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