1990
DOI: 10.2307/941460
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Trio for Violin, Clarinet, and Piano

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“…52 Early music performers' earnest efforts to achieve archaeological fidelity seem quixotic, in view of ''the blanket permission given...to stage directors to...modernize eighteenth-and nineteenthcentury opera,'' making a mishmash of the union of words and music. 53 Per contra, other early musicians found their lodestar in fixed ethnic or national traitsthe ''inherent Greekness'' of the Greek singers chosen by Marcel Pe´re`s to perform ancient Roman chants; the Italian voices Alan Curtis preferred for Monteverdi. 54 Authenticity today is not just a musical cult; it pervades most of the arts as well as anthropology, history, tourism, even cuisine.…”
Section: Early Music and Authenticitymentioning
confidence: 99%
“…52 Early music performers' earnest efforts to achieve archaeological fidelity seem quixotic, in view of ''the blanket permission given...to stage directors to...modernize eighteenth-and nineteenthcentury opera,'' making a mishmash of the union of words and music. 53 Per contra, other early musicians found their lodestar in fixed ethnic or national traitsthe ''inherent Greekness'' of the Greek singers chosen by Marcel Pe´re`s to perform ancient Roman chants; the Italian voices Alan Curtis preferred for Monteverdi. 54 Authenticity today is not just a musical cult; it pervades most of the arts as well as anthropology, history, tourism, even cuisine.…”
Section: Early Music and Authenticitymentioning
confidence: 99%