This article considers protest poetry written between 1961 and 1976. I argue that the Soweto poetry of the 1970s enabled activism that would change Johannesburg's landscape, facilitating the racial mixing of inner city areas and eroding the segregationist policies that had defined the city from its beginnings. Concomitantly, the paper focuses on representations of the train as a site through which black localities were produced as resistance. Via close readings of poetry by Mbuyiseni Oswald Mtshali, Sipho Sepamla, and Mongane Wally Serote, I show how the train establishes Soweto as a "neighbourhood", while also constructing a white "other" against which its identity is affirmed.The genealogy of racial spatialization in South Africa is well known (see, for example, Robinson, 1996): under colonialism and then apartheid, black South Africans were forced to the economic, political, and social margins of society through legal measures that deprived them of land and limited their means of survival in the rural areas, while making them non-citizens in the urban. Spatialized racial segregation was in turn deeply embedded in formations of place. The pre-apartheid state's insistence on the whiteness of the urban was increasingly entrenched during the period of National Party governance beginning in 1948, under which the creation of Bantustans, the implementation of Pass Laws and the restriction of black people to under-resourced, peripheral townships in the cities were all ways in which the discriminatory power of the white state found spatial