1999
DOI: 10.1353/wan.1999.0004
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Transnational Digital Imaginaries

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Cited by 3 publications
(2 citation statements)
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“…Because places are open, porous and relational (Massey 1991, 1993) the emotional identification of activists with particular places is of strategic importance to the construction and maintenance of personal bonds among activists and of larger trans‐local networks (Ettlinger & Bosco 2004). In the latter case, activists in broader, geographically‐dispersed networks experience emotional proximity – rather than actual local interaction – through their emotional connection to key symbolic places that are important to the movement (Bosco 2006, p. 359) 5 or through new communications technology (such as the Internet) that provide virtual meeting grounds (Escobar 1999; Hess & Zimmerman 1999; Hampton & Wellman 2003). Even though communications technology provides a valuable infrastructure for networking, place and place‐based social ties are still important (Parham 2004).…”
Section: Social Movements Network and Emotional Geographiesmentioning
confidence: 99%
“…Because places are open, porous and relational (Massey 1991, 1993) the emotional identification of activists with particular places is of strategic importance to the construction and maintenance of personal bonds among activists and of larger trans‐local networks (Ettlinger & Bosco 2004). In the latter case, activists in broader, geographically‐dispersed networks experience emotional proximity – rather than actual local interaction – through their emotional connection to key symbolic places that are important to the movement (Bosco 2006, p. 359) 5 or through new communications technology (such as the Internet) that provide virtual meeting grounds (Escobar 1999; Hess & Zimmerman 1999; Hampton & Wellman 2003). Even though communications technology provides a valuable infrastructure for networking, place and place‐based social ties are still important (Parham 2004).…”
Section: Social Movements Network and Emotional Geographiesmentioning
confidence: 99%
“…We understand digital imaginaries as the interplay between cultural referents, such as symbols and media, and technological infrastructures, which gives rise to routinized practices assumed to resonate with an imagined community. We draw on Hess and Zimmermann’s (1999) concept of “transnational digital imaginaries” that considers how digital media can refigure “past/future traces” (p. 152) to open up possibilities for creating cultural meanings through the combination of current and past media practices. These possibilities are realized through individuals’ engagement with digital technology in practices of vernacular creativity, as the novel recombination of cultural resources in ways that are “recognizable because of their familiar elements, and create affective impact through the innovative process of recombination” (Burgess, 2006: 206).…”
Section: Conceptualizing Digital Imaginariesmentioning
confidence: 99%