Abstract:This paper examines the transnational dimensions of the March
1925 issue of Survey
Graphic, the “Harlem: Mecca of the New Negro” issue that
eventually led to the publication of Alain Locke’s New Negro Anthology. The paper examines
this text by looking at the work of German artist Winold Reiss, who
largely influenced artist Aaron Douglas; Jamaican author W.A. Domingo;
Jamaican poet Claude McKay; and Puerto Rican-German author Arthur A.
Schomburg. This pape… Show more
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