Liminal notes these certainly are, written at the in-between of process, of transformation, as identity fictions are being negotiated in the fray of symbolic exchange in the "national" marketplace. What are the cultural discourses "properly," that is legitimately (authoritatively), "Canadian"? Which will in/form "Canada"? Newspaper headlines punctuate the fray. Canada round produces agreement on new constitution. Confederation, a union of ten provinces. From Quebec, Lise Bissonnette replies with a single word: NON. Isn't confederation a pact between two "Founding Nations," "indigenous French" (Rioux 20) in treaty with their English "conquerors"? Ovide Mercredi protests behind-the-scenes discussions which may eliminate previously agreedupon guarantees to self-government for the "First nations." As the head of the Assembly of First Nations, a representative of the "indigenous peoples" or "Natives," whose essentializing fiction strategically asserts their presence on the land prior to the arrival of the European settler "founding nations,"l Mercredi's presentation to the Quebec National Assembly this spring exposed the ethnocentric implications of Quebec claims to "distinctiveness" founded in a fiction of an "indigenous" French culture. This speech prompted a member of the National Assembly, a more recent immigrant of non-francophone descent, to ask whether he was a Quebecer. The stakes are high: who is a "Canadian" subject. What cultural forms and languages will legitimate this subject's identity? Whose fictions will "make up"•the face of the country? Whose looks function as the visible face of the country, its symbolic figuration? Which categories, classifying principles, will be used to order it? Territorial rights, land and the political control over it-access to economic resources are disputed through the figurations of the "national" subject. Representation involves the production of exchange value in a specific economy of meaning. Representations, producing"effects of the real," have political