Transkulturelle Ansätze im Neuen Deutschen Film

Rings, Guido

doi:10.1007/978-3-658-15352-6_3

Cited by 5 publications

(1 citation statement)

References 17 publications

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“…Many immigrants but also "natives" form part of the new precariat, which Standing currently estimates at 20% of the British population, and there is a strong upwards trend that has to be stopped. I have elaborated in significantly more detail on that in my recent studies on Fassbinder's Fear eats the soul in Alkın's volume (Rings, 2017) and Gonzalez Mitján's Limpiadores in Dolle's volume.…”

Section: St: In Your Book You Suggest That Film Provides a Space To Humanise The Migrant Other And Push Back Against Monocultural Represementioning

confidence: 97%

Interview with Guido Rings: “We need intercultural solidarity if we want to survive and prosper in a world hit by ultranationalism”

Trinder¹

2021

disjuntiva

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As a master’s and Ph.D. student at Anglia Ruskin University in 2011, I recall the central message in lectures given by my eventual Ph.D. supervisor Professor Guido Rings was that we cannot underestimate the enduring strength of the legacy of colonialism in Europe and its influence on shaping contemporary attitudes towards immigration. Indeed, as I was completing my studies, I became increasingly aware of the negative rhetoric towards migrants in politics and right-wing press. In an attempt to placate the far-right of his party and address a growing threat from the UK Independence Party (UKIP), a discourse of ‘othernising’ migrants on the basis of their supposed rejection of ‘Britishness’ from former UK Prime Minister David Cameron in particular caught my attention. The result of this was tightening of immigration regulations, which culminated of course in the now-infamous Brexit vote of 2016. Almost a decade after my graduation, Professor Rings is currently Vice Chair for the Research Executive Agency of the European Commission and continues to work at Anglia Ruskin University at the level of Ph.D. supervisor. He still publishes widely in the field of Migration Studies and his recent high-profile book The Other in Contemporary Migrant Cinema (Routledge, 2016) and editorships in the fields of culture and identity (iMex Interdisciplinario Mexico) argue for increased intercultural solidarity in Europe as well as a strengthening of supranational organizations like the EU and the UN to offset growing nationalism. I got in touch with Professor Rings to find out where he feels Europe stands today with regard to migration and get his comments on the continued rise of nationalism on the continent.

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Section: St: In Your Book You Suggest That Film Provides a Space To Humanise The Migrant Other And Push Back Against Monocultural Represementioning

confidence: 97%

Interview with Guido Rings: “We need intercultural solidarity if we want to survive and prosper in a world hit by ultranationalism”

Trinder¹

2021

disjuntiva

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Methods

2020

The Cambridge Handbook of Intercultural Communication

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Increasingly research involving Indigenous people is being undertaken by Indigenous researchers, who bring forward worldviews that shape the approach of the research, the theoretical and conceptual frameworks, and the epistemology, methodology, and ethics. Many times such research bridges Western practices and Indigenous knowledges; however, bringing together these two worldviews can also present challenges. In this paper the author explores the challenges and lessons learned in the practical application of an Indigenous research framework and qualitative inquiry. Two qualitative Indigenous research methods, sharing circles and Anishnaabe symbol-based reflection, will be discussed.

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Cinema as Intercultural Communication

Leal¹

2020

The Cambridge Handbook of Intercultural Communication

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Transkulturelle Ansätze im Neuen Deutschen Film

Cited by 5 publications

References 17 publications

Interview with Guido Rings: “We need intercultural solidarity if we want to survive and prosper in a world hit by ultranationalism”

Interview with Guido Rings: “We need intercultural solidarity if we want to survive and prosper in a world hit by ultranationalism”

Methods

Cinema as Intercultural Communication

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