2017
DOI: 10.1177/2059436417695815
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Trans-border televisual musicscape: Regionalizing reality TVI am a Singerin China and Hong Kong

Abstract: This article focuses on the regionalization of reality TV I am a Singer from China to Hong Kong. It explores the features of a successful flow of a reality singing contest with the concepts of mediascape, televisuality and cultural memory of pop music. The three research questions: what format structures of televisuality are being integrated in I am a Singer; how locals in China and Hong Kong interpret and appropriate I am a Singer to their experience of cultural identities and how trans-border televisual musi… Show more

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Cited by 4 publications
(4 citation statements)
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“…In the early 1990s, China's TV industry began to undergo a process of semi-marketization. It involved loosening control over satellite TV services and the importation of content (Cheung, 2017). Chinese TV producers eagerly embraced the introduction of global format reality TV into the Chinese media market due to its ability to effectively cater to local audiences' demands.…”
Section: The Development Trend Of Global Format Reality Tv In Chinamentioning
confidence: 99%
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“…In the early 1990s, China's TV industry began to undergo a process of semi-marketization. It involved loosening control over satellite TV services and the importation of content (Cheung, 2017). Chinese TV producers eagerly embraced the introduction of global format reality TV into the Chinese media market due to its ability to effectively cater to local audiences' demands.…”
Section: The Development Trend Of Global Format Reality Tv In Chinamentioning
confidence: 99%
“…suggest that reality programs are characterized by a set of specific attributes, such as being filmed without a script, having a narrative, being intended to function as entertainment, featuring people as themselves rather than actors performing a role, and being filmed in real living or working environments rather than a set. Cheung (2017) highlights Reality TV as a televisual product, representing a distinct form of regional television programming characterized by its excessive style, incorporation of the audience's cultural memory, and emphasis on dramatic elements. The media's visualization implies the self-awareness of television in visually portraying the immediacy and authenticity of its broadcasting content (Caldwell, 1995).…”
Section: Introductionmentioning
confidence: 99%
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“…There have been tremendous changes in Chinese entertainment and media industry in the past few decades (e.g. Cheung, 2017; Gilardi et al, 2018; Keane & Zhang, 2017; Liang & Shen, 2016). The case in study is arguably the best known dating show in China.…”
Section: The Case: Fcwrmentioning
confidence: 99%