Tradition as a resource: Robust and radical interpretations of operatic tradition in the Italian opera industry, 1989–2011

Cancellieri, Giulia; Cattani, Gino; Ferriani, Simone

doi:10.1002/smj.3436

Cited by 13 publications

(9 citation statements)

References 82 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…This atypical element contributes to further accentuate the innovativeness of interactive art as compared to traditional theatre experiences. New approaches to interpretation, indeed, are key dimensions of form innovation (Castañer and Campos, 2002; Cancellieri et al, 2022). Examples of reinterpretations of traditional products can also be found in several contexts.…”

Section: Resultsmentioning

confidence: 99%

“…Previous studies have focused on different ways through which cultural producers can introduce novelties in their product offerings (Camarero and Garrido, 2012). While most of these studies have focused specifically on genre or content innovations (Kim and Jensen, 2011), recent studies have pointed to the emergence of new or experimental forms of presenting and interpreting a cultural product (Cancellieri et al, 2022; Castañer and Campos, 2002). Our findings recombine these perspectives by showing the presence of both genre and form innovations in different interactive co-creation dynamics.…”

Section: Discussionmentioning

confidence: 99%

See 1 more Smart Citation

Omnivorous cultural consumption and the co-creation of cultural products: Interactive versus participatory art

Bonazzi

Cancellieri

Casarin

2023

Journal of Consumer Culture

Self Cite

View full text Add to dashboard Cite

How do omnivorous consumers perceive co-creation in cultural consumption? In this article, we combine observation data on co-created cultural productions, focus groups and field interviews to investigate omnivorous consumers’ perceptions of artistic experiences characterized by different degrees of co-creation. We explored this topic in the context of co-creative theatre, an emergent theatrical genre that provides for the active involvement of omnivorous consumers in the staging of a theatrical performance. Our findings reveal new dimensions of what it means for omnivorous consumers to be culturally open by showing their perceptions of interactive and participatory art, two distinct co-creative artistic experiences. While interactive art encourages consumers to intervene in the artistic experience by following the precise direction of the professional artists on stage, participatory art entails an even more active and autonomous role of consumers in the design of the experience. Our findings indicate that there are differences between the way in which consumers perceive interactive art and participatory art and that two distinct dimensions of cultural consumption – novelty and authenticity – emerge from different co-creative dynamics. The observed co-creation experiences portray the transformation of the omnivorous consumers from spectators or visitors to co-authors of the experience and mark the dissolution of the existing boundaries between production and consumption.

show abstract

Section: Resultsmentioning

confidence: 99%

Section: Discussionmentioning

confidence: 99%

Omnivorous cultural consumption and the co-creation of cultural products: Interactive versus participatory art

Bonazzi

Cancellieri

Casarin

2023

Journal of Consumer Culture

Self Cite

View full text Add to dashboard Cite

show abstract

“…He is regarded not only for his contribution to the compilation of national history but also for providing insight into the meaning of "self" and "others." Local history writing, limited to a specific location and period, is more promising for accuracy and depth in understanding a particular society as part of the social history of a distinct community [10].…”

Section: Introductionmentioning

confidence: 99%

Religion Traditions in Kampung Jawa Community of Minahasa

Winoto¹,

Dasfordate²,

Burdam³

et al. 2023

Advances in Social Science, Education and Humanities Research

View full text Add to dashboard Cite

Tradition, anything place that has a distinct identity, should be studied history locally. The complex environment, such as a small town or village, an agricultural or agricultural community, or even an entire city or region, is the subject of local history. Because this research must hunt for facts in the field and be critical, it employs the qualitative method. The approach was used to collect data through interviews, observations, and supporting documentation in this situation. Data analysis utilizing Miles and Huberman's technique covered data reduction, data display, and concluding. The data in the trivial data group can then be safely destroyed or not used. As a result, the remaining data is vital and less significant. Display data contains explicit information, which readers may immediately obtain. Presenting data is required to submit or display data nicely, methodically, ordered with a specific relationship pattern, organized. The assembled and organized data showed with a technique or pattern, and it is possible to undo a decision. The findings indicate that some traditions exist in the Java Tondano community. Rebo Kasan is a ritual that develops and endures throughout Muslim communities in Indonesia. The traditional punggoan is a pilgrimage to the graves of parents and family members. This custom Saw on weekends or holidays such as Saturdays or Sundays. Sholawat Jowo is the Pakasan Community Jaton's major identity. It is kept as a Sholawat Jowo culture through the collection of Sholawat Jowo in the Jaton Community in Kampung Jawa Tondano.

show abstract

“…Over the past thirty years, management scholars have increasingly sought to investigate organizational phenomena in the context of the performing artsmusic, theater, and dance (Berniker 1998;Harrison and Rouse 2014;Kramer and Crespy 2011;Ladkin 2008;Stephens 2021). For example, Murnighan and Conlon (1991) illuminate trade-offs between leadership and democracy in string quartets; Glynn and Lounsbury (2005) investigate institutional and discursive change in symphony orchestras; and other well-known studies use theater and music to explore innovation, creativity, and transformation (Berg 2016;Cancellieri et al 2022;Hatch 1998;Vera and Crossan 2005). As Weick indicated, viewing the performing arts as a metaphor for organizational processes can help scholars avoid "stroking toward the white cliffs of the obvious" (1974, p. 487).…”

Section: Introductionmentioning

confidence: 99%

Organizations on stage: organizational research and the performing arts

Komander

König²

2022

Manag Rev Q

View full text Add to dashboard Cite

Management and organization scholars have long been intrigued by the performing arts—music, theater, and dance—as a rich context for studying organizational phenomena. Indeed, a plethora of studies suggest that the performing arts are more than an interesting sideline for authors, as they offer unique theoretical and empirical lenses for organization studies. However, this stream of literature spreads across multiple research areas, varies with regard to its underlying theories and methods, and fails to pay sufficient attention to the contextuality of the findings. We address the resulting limitations by identifying and reviewing 89 articles on management and organization related to the performing arts published in 15 top-tier journals between 1976 and 2022. We find that research in the performing arts advances organizational theory and the understanding of organizational phenomena in four key ways, namely by studying (1) organizational phenomena in performing-arts contexts; (2) performing-arts phenomena in organizational contexts; (3) organizational phenomena through the prism of performing-arts theories; and (4) organizational phenomena through the prism of performing-arts practices. We also find that, in contrast to other settings, the performing arts are uniquely suited for immersive participant-observer research and for generating genuine insights into fundamental organizational structures and processes that are generic conditions of the performing arts and management alike, such as leadership, innovation, and the management of uncertainty. Finally, based on our consolidation of the research gaps and limitations of the reviewed studies, we develop a comprehensive agenda for future research.

show abstract

Tradition as a resource: Robust and radical interpretations of operatic tradition in the Italian opera industry, 1989–2011

Cited by 13 publications

References 82 publications

Omnivorous cultural consumption and the co-creation of cultural products: Interactive versus participatory art

Omnivorous cultural consumption and the co-creation of cultural products: Interactive versus participatory art

Religion Traditions in Kampung Jawa Community of Minahasa

Organizations on stage: organizational research and the performing arts

Contact Info

Product

Resources

About