2020
DOI: 10.1080/14759551.2020.1830284
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Tracing the Sphinx from symbol to specters: reflections on the organization of geographies of concern

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Cited by 7 publications
(12 citation statements)
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References 69 publications
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“…In doing so, it also facilitates ironic subversion of the "colossal sublime" in esthetic judgment (Derrida, 1987), such as that attributed to the Great Sphinx of Giza (Riad & Jack, 2021). Traditionally, large-scale art was deployed toward uplifting transcendence and power.…”
Section: Racementioning
confidence: 99%
See 1 more Smart Citation
“…In doing so, it also facilitates ironic subversion of the "colossal sublime" in esthetic judgment (Derrida, 1987), such as that attributed to the Great Sphinx of Giza (Riad & Jack, 2021). Traditionally, large-scale art was deployed toward uplifting transcendence and power.…”
Section: Racementioning
confidence: 99%
“…Second, it scrutinizes the “gaze,” which is implicated in the “relations of power” that structure colonial difference. The notion considers ways of looking, seeing, and being seen (e.g., Kersten & Abbott, 2012) and has long been the subject of research on coloniality, more broadly (e.g., Bhabha, 1994; Said, 1978), and organizational analysis specifically (e.g., Prasad, 2003; Riad & Jack, 2021). The gaze plays an important role in the “work of representation” (Hall, 1997, p. 13).…”
Section: Intersectionality Meets Colonialitymentioning
confidence: 99%
“…It was also considered the optimal image of the power and fearsome of the pharaoh (Osborne 2014). This guardian sphinx evolved across time into the guardian lions throughout the Roman Empire and then revived in the renaissance and later from the eighteenth century it was used in various buildings resembling power, which was elaborated in detail by (Riad and Jack 2020). We can argue that the lions standing pridefully alongside the entrance of the Hungarian parliament, is a representation of power and authority more than being guardians, due to the posture of the lions.…”
Section: The Sphinxmentioning
confidence: 99%
“…The two statues were oriented as their backs are facing the temple and their faces welcoming the visitors or rather declaring the dominance of the space to come behind them. It was not the first use of these statues as guardians to a sacred place, since the recumbent lion is the most ancient (Riad and Jack 2020).…”
Section: Space Occupation Development Of the Sphinxmentioning
confidence: 99%
“…intuition and gut feelings in decision making; and of invisibility and powerlessness when Othered (especially in relation to gender, sexuality and race among other identitiessee, for example, Baxter and Hughes 2004;Baxter and Ritchie 2013;Christensen and Muhr 2013;Kociatkiewicz and Kostera 2019;Riad and Jack 2020). Ghostly encounters can sometimes be expressed as a tingle on the back of the neck or the sense of deja vu.…”
mentioning
confidence: 99%