In this article, a multimodal framework of literacies is engaged to call attention to the aesthetic aspects of adolescents' media making and identity explorations. Data from two studies are shared to offer complementary portraits of youth engaged with various technologies and media in two different out-ofschool settings. Both young men crafted forms of participation into their respective teaching and learning contexts through personal engagements with digital technologies that are becoming increasingly common features in adolescents' communicative landscapes. Meaning is found, therefore, in the nature of the young men's playful interactions with a variety of expressive modalities and not only in final compositions or texts.Recommendations to incorporate media play and personal explorations with technologies into language arts curricula are made in the conclusion.Keywords: Multimodality. Adolescents. Media. Play. Aesthetics. * 1Assistant Professor of Technology and Education at Teachers College, Columbia University.I am who I am not yet. (Maxine Greene, 1996) Sitting in front of a large Mac monitor, with his right hand on the mouse, twelve year-old TJ clicked through a variety of animation effects until he found one that applied a slow motion filter to the selected video clip. With another swift click of the mouse, TJ stretched a three-second clip into an eight-second rendition of his brother's flight through the air and ultimate fall from the playground's zip line. As he watched the clip repeatedly, TJ broke into fits of high pitched giggles that I had quickly come to love soon after I first met him over a year earlier. This was the first time that TJ had used iMovie, but not the first time using video editing software; that introduction occurred a month earlier as he experimented with 137 SCRIPTA, Belo Horizonte, v. 17, n. 32, p. 137-154, 1º sem. 2013Windows MovieMaker while seated under a pavilion in the park, with my laptop on his lap. TJ had earned a reputation among our group of five middle grade boys for being a gifted multimedia storyteller. Over the course of the fifteen months we all met together, he produced several multimedia artifacts using photographs, video, and audio that we had created as a group. The clip of his little brother, which he edited with the "slo-mo" effect, found its way into a short, satirical piece entitled "Sibling Mutiny". TJ was an artful storyteller who also possessed a sharp wit, which was evident in his many compositions including a multimedia treatise on the educational possibilities of our group, precisely because we were located outside of school; a visual essay about the possible stories that different pieces of trash might hold; and the dialogic cacophony to be found in the spaces between teachers' words and the everyday social practices of youth.The topic of teacher-student disjuncture echoed throughout many of the multimodal texts produced within the out-of-school storytelling project TJ was a part of, along with four of his peers. Chief among their ongoing ...