“…a discourse organised around time and consequential events in a 'world' created by the narrator'' (Riessman, 1990(Riessman, , p. 1195). One major advantage of this kind of narrative approach for advancing our understanding of suicidal events, is that it would, we believe, help shift attention away from a concern solely with the identification of causes (e.g., mental illness), to ''socially created meanings, motives and intentions'' (Redley, 2003). If such an approach were to inform attempts to understand suicidal acts, it would, we believe, open up the possibility of new insights into how it is some people come to end their own lives.…”