2013
DOI: 10.1080/08929092.2013.837706
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Toward a Grounded Dramaturgy: Using Grounded Theory to Interrogate Performance Practices in Theatre for Early Years

Abstract: Research on theatre for early years is polarized, either delving deeply into an assumed but unproven dramaturgical praxis, or providing anecdotal, often contradictory diktats of limited practical use. It could be argued that no coherent dramaturgy has yet been described in a genre barely three decades old; as David Pears (1971, 29) notes, "practice nearly always comes first, and it is only later that people theorize about practice." This article explores how an early-years dramaturgy (meaning a contextual exp… Show more

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Cited by 9 publications
(5 citation statements)
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“…Data were processed following the method of Bernard and Ryan (2010) and Fletcher-Watson (2013). The vivencias were audio-recorded.…”
Section: Data Processingmentioning
confidence: 99%
“…Data were processed following the method of Bernard and Ryan (2010) and Fletcher-Watson (2013). The vivencias were audio-recorded.…”
Section: Data Processingmentioning
confidence: 99%
“…We chose to adapt Flight to our practice-based research because local educators were familiar with it and also because it provides a common language and guides our creative team with an early childhood lens to develop meaningful collaborations with very young children so well. As theatre makers and researchers, we are familiar with a wide range of other theories related to dramaturgies for very young children (e.g., Fletcher-Watson 2013, 2016Fletcher-Watson et. al 2014;Hovik 2015Hovik , 2019Nagel and Hovik 2016;Patel 2020;Patel, Schnädelbach and Koleva 2018;Wartemann 2009), and a range of relevant theories and approaches related to play and playfulness.…”
Section: What's the Flight Plan? Working With Flight Pbr And Very You...mentioning
confidence: 99%
“…While "the way young children process interactions through their embodied experience [calls] for a performance where the senses are central to the design" (Patel, Schnädelbach, and Koleva 2018, 376), we do not seek to create performances that suggest obvious, or worse, "correct" interpretations. Fletcher-Watson (2015), along with Hovik (2015), describe this form of participatory theatre as "tyrannic" in that children cannot choose how they want to respond or when.…”
Section: Flight-assisted Performance-based Researchmentioning
confidence: 99%
“…Data were processed following the method of Bernard andRyan (2010) andFletcher-Watson (2013). The vivencias were audio-recorded.…”
Section: Data Processingmentioning
confidence: 99%