Although tourism is already flourishing in some regions of Colombia, the country is still struggling to achieve peace. On 2 October 2016, just over half of the Columbian population rejected the peace deal negotiated by President Juan Manuel Santos and the Revolutionary Armed Forces of Colombia (FARC). Two months later the nation's Congress finally ratified a renegotiated peace deal between the government and the largest guerrilla group of the country. After more than a half century of armed conflict, peace has never been so close, yet many Colombians are still reluctant to see former war actors such as the FARCs reintegrate civilian and political life. In the context of this long-lasting war, violence is memorialized in diverse and fragmented ways. Since the establishment of a national law for victims and the displaced in 2011, various memorial projects related to the armed conflict involving the Colombian army, paramilitaries and guerrillas have been cropping up all over the country. This marks a change, as memorial issues were not previously prevalent; most of the victims still felt vulnerable and consequently did not want to participate in any memorial processes. The law for victims and the displaced thus provided a more secure and favourable context for the emergence of memorial initiatives. The state has been active in the field of memory by supporting the construction of museums and documentary projects on the war, involving victims, academics and NGOs, the National Centre for Historical Memory being the principal example in this context. In parallel, alternative memorial productions relating to the war and the 'narcoheritage' (Naef, 2015) have started up. In Bogota and Medellin, both relatively tolerant environments regarding urban art, many murals flourish, illustrating themes associated with violence and social conflicts. These topics are also the focus of contemporary musical creations, from hip-hop to salsa, alternating between tributes to victims and narco-glorification. Moreover, while Mexico is famous for its narcocorridos (folk ballads focusing on the stories of drug smugglers), Colombia is also the cradle of many cultural productions, ranging from literature and narco-novelas (novels) to narco-soaps (soap operas). The cinema industry is similarly cashing in on this subject through the production of Colombian and international films, some of themlike Blow, featuring Johnny Depp and Penélope Cruzreaching a worldwide audience.