Abstract:David Mitchell's Ghostwritten (1999) pioneers a new narrative modus operandi for twenty-first-century British fiction. Using Mitchell's novel as a case study, the article revives Benedict Anderson's influential oppositioning of tour d'horizon , which is the realm of both the nation and the novel, and tour du monde , which remains outside either's vision and, as the article demonstrates, constitutes the representational realm of the cosmopolitan novel. The cosmopolitan novel's evolution out of its nationally bo… Show more
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