Abstract:La vi salir hace un rato. Se veı´a mal. Llevaba una maleta. Le pregunte´cuando volverı´a y respondio´que nunca jama´s.'' (Final de La piel del cielo, Elena Poniatowska)
AbstractThe hermeneutics of description in Nada (1945) enables the deciphering of the semantic inner structure of the novel. This is achieved by means of an intentional characterization of both space and characters. The narrative mechanism of description is constructed primarily along two dimensions: 'topography,' or a description of places, an… Show more
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