“…The surround orientation tuning can be independent of the tuning of the center (DeAngelis et al, 1994;Sillito et al, 1995;Sengpiel et al, 1997;Cavanaugh et al, 2002a;Hashemi-Nezhad and Lyon, 2012), and the resulting center-surround interactions are thought to be critical for figure ground segregation, forming the building blocks of form perception and optical illusions such as illusory contours and perceptual filling-in (Sillito et al, 1995;Zipser et al, 1996;Gilbert, 1998;Vinje and Gallant, 2000;Series et al, 2003). The surround is likely mediated through a combination of feedforward afferents (Nolt et al, 2004;Webb et al, 2005;Sceniak et al, 2006;Alitto and Usrey, 2008;Ozeki et al, 2009), feedback from higher visual areas (Salin et al, 1992;Angelucci et al, 2002;Cavanaugh et al, 2002b;Bardy et al, 2009), and long-range lateral connections within V1 (see below; Ts'o et al, 1986;Gilbert and Wiesel, 1989;Hirsch and Gilbert, 1991;Malach et al, 1993;Weliky et al, 1995;Toth et al, 1996;Dragoi and Sur, 2000;Somers et al, 2002;Brown et al, 2003;Series et al, 2003). However, the role each of these circuits play in the orientation tuning of the surround remains unclear.…”