Toni Morrison’s Sacramental Rememory

Abstract

Chapter 1 considers two novels by Toni Morrison which are widely celebrated for undermining Enlightenment rationalism: Beloved and A Mercy. As critics often note, Morrison’s concept of rememory—an antirealist trope, premised on the supernatural irruption of the past in the present—achieves this by imagining an alternative history of slavery. Yet a complete picture of these novels requires an account of the way that Morrison structures rememory—quite remarkably and with palpable historical reservations—as a Catholic sacrament. The chapter therefore addresses a significant gap in scholarship on Morrison (who identifies as Catholic), but never does it imply that her religious vision is uncritical or pure. Rather, it suggests that the sacramental aspects of rememory are in constant tension with the sharp critique of Catholicism evident in both novels. That critique builds upon the sociological study of slave religion that Orlando Patterson developed in Slavery and Social Death, particularly his pioneering claim that “the special version of Protestantism” which arose in the American South as slave religion was, in key respects, theologically “identical” to Catholicism.